Another night downtown with
Zelia. Tonight we are seeing Phoenix.
A few minutes before the
play starts, Zelia and I go to the ladies’ room. In my stall there is an unusual sign on the
inside of the door.
Zelia sees the same sign
inside her bathroom stall. Odd, we both think. Is
this sign up for every play or just the one we’re seeing tonight? Does the men’s room have one too? Does this
play encourage people to walk out? Is it particularly offensive to women? One
can only wonder.
The play is only one act,
and a brisk 70-minutes long. The kind of
play I love. We take our seats inside the
small, filled theater at Cherry Lane. The lobby was nice and cool, the theater
is not.
Within ten minutes we are both
hating the play. The dialogue is so
stilted and artificial that despite decent acting, the play is
unwatchable. And there we sit,
miserable, in the middle section of a darkened theater, people on all
sides. But when the lights dim for the
third scene, we just can’t help ourselves.
“Excuse me, I’m sorry,” we
both say, as we clumsily step over people making our way to the aisle and a
quick escape.
I feel like we’ve been held
captive in the land of vapid patter for hours, and yet only 40 minutes have
passed.
That sign in the ladies' room
sign was a warning. We were wrong not to heed it.
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