I haven’t seen Zelia in
weeks, so when she suggests having dinner before the play we are seeing tonight
(Neil LaBute’s new play, Reasons to be
Happy) I say yes. We agree to meet
at 6:15 at Westville, my favorite little restaurant in the West Village.
I think it’d be nice to walk around downtown
a bit, so I plan to leave around five for a trip that should take no more than 45 minutes. But two things delay my
leaving.
First, I find my American
Express card that I thought I’d lost.
All day I look for it. Pockets of
every coat I could possibly have worn in the past three days. My small wallet.
Jeans' pockets. All my purses. Under my bed. On the floor.
Alexander even looks in his wallet.
Then I check all the same places
again. Nada. I finally call Amex to order a replacement
card, same number. “I’m sure it’s in the house somewhere and not stolen,” I tell them. As I’m leaving, I find it. Not hidden under a sofa cushion, or stuck
under a rug. No, I find it in my tiny
wallet that I swear I checked several times before. So I call Amex and tell them.
Next, I walk outside. Between leaving my apartment and going down two flights of stairs, it has
started raining. I return to my
apartment and get my raincoat.
It is now 5:30. Still, that should not
be a problem.
I take the crosstown bus to
the #1 train. I get a seat on a very
crowded train, then hear the announcement.
“Due to signal problems, all downtown trains on the #1 line are delayed.” Miraculously, I am able to get a wifi connection
and text Zelia. We sit for fifteen minutes
and then finally leave the station. Two
stops later and we are delayed again. I
switch over to the C train that will also take me to where I’m going. But I fail to switch my thinking to the new stop.
The C train stops at West 4th,
NOT Christopher St. where the #1 train stops.
As the train begins to head further and further south, and I see stops
like Chambers and Fulton St., I realize I’ve made a mistake. Fellow passengers try to be helpful but
direct me to the wrong place. And now, I
have no cell service. Zelia is always on time.
It’s 6:45 and I’m near Wall Street.
Miles from where I should be.
I get off the train, switch
back to an uptown C. I finally arrive at
the restaurant at 7:10. The play is at
8. Zelia has ordered for me and my food
arrives a few minutes after I do.
I feel like I’m in that 1985
movie, After Hours, where a guy can’t
make it home from Soho. Our relaxing
dinner is anything but, though it is still nice.
The play is not typical LaBute.
It is kinder, nicer. I liked it
better when LaBute wrote with a nasty, biting edge and a killer twist at the
end. Zelia leaves at intermission. I stay.
Getting home takes thirty minutes.
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